Saturday, April 27, 2024

MALICE DOMESTIC AGATHA AWARD WINNERS 2024



Best Contemporary Novel


THE WEEKEND RETREAT, Tara Laskowski


Best Historical Novel


THE MISTRESS OF BHATIA HOUSE, Sujata Massey

Best First Novel


CRIME AND PARCHMENT, Daphne Silver



Best Short Story

"TICKET TO RIDE", Dru Ann Love and Kristopher Zgorski, Happiness is a Warm Gun


Best Non-Fiction

FINDERS: JUSTICE, FAITH AND IDENTITY IN IRISH CRIME FICTION, Anjili Babbar

 


Best Children's/YA Mystery

THE SASQUATCH OF HAWTHOURNE ELEMENTARY, K. B. Jackson

Cartoon of the Day: Escape Room

 Happy Caturday!


Friday, April 26, 2024

CRIME WRITERS OF CANADA 2024 AWARDS OF EXCELLENCE SHORTLIST & GRAND MASTER AWARD RECIPIENT

Crime Writers of Canada (CWC) announced the Shortlists for the 2024 Crime Writers of Canada Awards of Excellence in Canadian Crime Writing. Since 1984, Crime Writers of Canada has recognized the best in mystery, crime, suspense fiction, and crime nonfiction by Canadian authors, including citizens abroad and new residents. 

Winners will be announced on Wednesday, May 29, 2024.

Maureen Jennings is this year’s recipient of the 2024 Grand Master Award. Established in 2014, the Grand Master (GM) Award recognizes a Canadian crime writer with a substantial body of work that has garnered national and international recognition.

THE 2024 AWARDS OF EXCELLENCE SHORTLISTS

The Peter Robinson Award for Best Crime Novel sponsored by Rakuten Kobo, with a $1000 prize

Robyn Harding, The Drowning Woman, Grand Central Publishing 
Shari Lapena, Everyone Here is Lying, Doubleday Canada
Scott Thornley, Middlemen, House of Anansi Press
Sam Wiebe, Sunset and Jericho, Harbour Publishing
Loreth Anne White, The Maid's Diary, Montlake

Best Crime First Novel, sponsored by Melodie Campbell, with a $1000 prize

Jann Arden, The Bittlemores, Random House Canada 
Lisa Brideau, Adrift, Sourcebooks
Charlotte Morganti, The End Game, Halfdan Press 
Amanda Peters, The Berry Pickers, Harper Perennial 
Steve Urszenyi, Perfect Shot, Minotaur

The Howard Engel Award for Best Crime Novel Set in Canada, sponsored by Charlotte Engel and Crime Writers of Canada, with a $500 prize

Gail Anderson-Dargatz, The Almost Widow, Harper Avenue/HarperCollins 
Renee Lehnen, Elmington, Storeyline Press
Cyndi MacMillan, Cruel Light, Crooked Lane
Joan Thomas, Wild Hope, Harper Perennial/HarperCollins
Melissa Yi, Shapes of Wrath, Windtree Press

The Whodunit Award for Best Traditional Mystery sponsored by Jane Doe, with a $500 prize

Gail Bowen, The Legacy, ECW Press
Vicki Delany, Steeped in Malice, Kensington Books
Vicki Delany, The Game is a FootnoteCrooked Lane Books 
Nita Prose, The Mystery Guest, Viking
Iona Whishaw, To Track a TraitorTouchWood Editions

Best Crime Short Story

M.H. Callway, Wisteria Cottage, Wildside Press (for Malice Domestic) 
Marcelle Dubé, Reversion, Mystery Magazine
Mary Keenan, The Canadians (Killin' Time in San Diego), Down & Out Books 
Donalee Moulton, Troubled Water, Black Cat Weekly (Wildside Press) 
Zandra Renwick, American Night, Ellery Queen's Mystery Magazine

The Best French Language Crime Book (Fiction and Nonfiction)

Jean-Philippe Bernié, La punition, Glénat Québec
Chrystine Brouillet, Le mois des morts, Éditions Druide
Catherine Lafrance, Le dernier souffle est le plus lourd, Éditions Druide 
André Marois, La sainte paix, Héliotrope
Jean-Jacques Pelletier, Rien, Alire

Best Juvenile/YA Crime Book, sponsored by Shaftesbury Films with a $500 prize (Fiction and Nonfiction)

Kelley Armstrong, Someone is Always Watching, Tundra Books 
Cherie Dimaline, Funeral Songs for Dying Girls, Tundra Books 
Rachelle Delaney, The Big Sting, Tundra Books
Clara Kumagai, Catfish Rolling, Penguin Teen Canada
Kevin Sands, Champions of the Fox, Puffin Canada

The Brass Knuckles Award for Best Nonfiction Crime Book sponsored by David Reid Simpson
Law Firm (Hamilton), with a $300 prize

Josef Lewkowicz and Michael Calvin, The Survivor: How I Survived Six Concentration Camps and
Became a Nazi Hunter, HarperCollins Publishers Ltd.
Michael Lista, The Human Scale, Véhicule Press
David Rabinovitch, Jukebox Empire, Rowman & Littlefield
Bill Waiser and Jennie Hansen, Cheated, ECW Press
Carolyn Whitzman, Clara at the Door with a Revolver, UBC Press, On Point Press

Best Unpublished Crime Novel manuscript written by an unpublished author

Tom Blackwell, The Patient
Craig H. Bowlsby, Requiem for a Lotus
Sheilla Jones and James Burns, Murder on Richmond Road: An Enquiry Bureau Mystery 
Nora Sellers, The Forest Beyond
William Wodhams, Thirty Feet Under


Thursday, April 25, 2024

Rascals Be Gone! Guest Post by Larry Mild


Do you suffer from rascalitus, those nasty, well-hidden little rascals? I’m talking about the accidental nuisances that crop up when I’ve allowed my phonetic brain the controlling leash. Misspelled words; incorrect punctuation; rambunctious hyphens; and roving space gaps. Equally elusive—and even worse: inconsistencies, like my heroine entering a room in jeans and T-shirt and leaving in a cocktail dress. These rascals are downright embarrassing, especially when one of my fan readers brings it to my attention.  

I proofread forward and backward, intending to absolutely annihilate any errors. I start with two guns blazing, but it’s a tedious task and the enemy is resourceful. Soon I’m sliding more and more over obvious mistakes. It’s a losing battle. Proofing shorter segments of text over a span of time does help, but I’m often rushing unnecessarily toward some imaginary publication date. The greatest joy of writing is creating the first draft. My impulse is just to plunge into my next story, instead of reworking and correcting that first draft. But that’s a no-no.

Reading aloud is a step in the right direction. But reading aloud to myself can be a trap. I’m so delighted with my writing that I unconsciously skip over any rascals. It’s like reading in a vacuum. Reading aloud to a partner is a step up, but only if the partner is another writer willing to fully invest in my work. My coauthoring wife, Rosemary, and I have had the advantage of writing together and reading aloud together for some time. We alternate the proofreading and listening tasks between us to cut down on stressing our voices—especially if it’s a whole novel.   

Recently, I discovered an even better rascal eradication tool. The funny part is that it’s been right in front of my face for years. Two of the most popular programs in the writing arena have “Read Aloud” features. 

The first is Microsoft’s Word word processor. Here’s how it works. We select the starting point in our text with a Left mouse click. Then we Right click on “Read Aloud” and the program will speak to us. Right clicking on “Read Aloud” a second time affords a stop or pause. A good practice for those of us who work in Word would be to use the feature as we write—to complete a section or chapter, say.

Adobe Acrobat formatting program has a number of useful tools worth exploring. For Rosemary and me, the tool most useful is their “Read Aloud” function. First, we turn our document into a pdf. Next, on the Tool Bar at the top of our screen, we click on “View” and select “Read Mode” or “Ctrl H.” Then we use the “View” menu a second time. Selecting “Read Out Loud” affords us the use of five commands: “Activate Read Out Loud”; “Read This Page only”; “Read to End of Document”; “Pause”; and “Stop.” We can pause and edit the pdf document directly or make a note to correct the original document later. 

Granted, these “Read Aloud” voices sound somewhat stiff, without the valuable expression quality of a good actor. If you have no one to listen with you, it’s still a useful function (hoping your attention doesn’t stray). Rosemary and I discovered that, with two of us listening, we not only nail the short rascals, but our scene inconsistencies are exposed as well. Whatever method you choose, don’t be shy. You too can wipe out rascalitus.  

***
Larry and Rosemary Mild’s newest books are Kent and Katcha: Espionage, Spycraft, Romance; and their novel set in the Great Depression, On the Rails: The Adventures of Boxcar Bertie. Larry also published his autobiography, No Place To Be But Here: My Life and Times. 
 
 
                                                         

Wednesday, April 24, 2024

Helen Mirren, Pierce Brosnan, and Ben Kingsley: Richard Osman’s The Thursday Murder Club


Three of the four leading roles in the film adaptation of Richard Osman’s The Thursday Murder Club have been cast with Helen Mirren, 
Pierce Brosnan, and Ben Kingsley set to play septuagenarian sleuths in a retirement community. Chris Columbus, whose previous credits include Home Alone, Mrs Doubtfire and the first two Harry Potter films, is set to direct.

The fastest-selling adult crime debut in recorded history (according to The Guardian), the novel is set in the fictional Kentish town of Fairhaven and features the four friends solving the murder of a property developer.

How exciting! Can't wait!

Tuesday, April 23, 2024

LA TIMES BOOK PRIZES 2024

The Los Angeles Times announced the winners of the 44th annual Book Prizes in a ceremony at USC’s Bovard Auditorium. The Times’ Book Prizes recognize outstanding literary achievements and celebrate the highest quality of writing from authors at all stages of their careers.

Winners were announced in 13 categories for works published last year, including the new prize for achievement in audiobook production, presented by Audible. Additionally, Pulitzer Prize-winning author Jane Smiley was honored with the Robert Kirsch Award for lifetime achievement and Access Books received the Innovator’s Award for its work renovating school libraries and ensuring that underserved students and communities have access to quality literacy resources. 

MYSTERY/THRILLER CATEGORY

Winner: Ivy Pochoda, Sing Her Down: A Novel

Nominees:
Lou Berney, Dark Ride
S. A. Cosby, All the Sinners Bleed
Jordan Harper, Everybody Knows
Cheryl A. Head, Time’s Undoing